Saturday 13 February 2016

POEMS READ AT LOUDTHOTZ POETRY OPEN READING SEASON 7 EPISODE 2 "RELY"


WINNER POEM OF THE MONTH AJIBOLA



THERE IS COMPANY (WINNER POEM OF THE MONTH)

Incendiary desires, consummate lust
Consummate cheaters, lost
in moments of momentary pleasure
Lascivious mister; unrepentant lecher
Promiscuous preacher, Salacious sister
The clandestine myth.
Cupidity is like an ovarian cyst, starts with
something as little as a passionate kiss
Lips lock like lungs sprung on respirators
Teeth clinking; A goblet tryst
Pheromones are innate goblins.


The Brownian motion of ping-ponged bodies.
The rush... The pull... The push
Against the wall, then onto the table
beside the shelf, to the bed beside the table
Knocking off the meditating lamp...
It sensing danger, dived to safety,
Landed in pieces.
It's dead ray unleashed darkness
Casting shadows of their squalid mind
On a grotesque wall of a tainted conscience
A self consuming flame enveloped their essence
Hurriedly, they peeled off clothes from their bark
They fell off faster than they were worn
Amazingly, in the order they were worn.

Humid heat, purple sheets...
Two tangled, three tango
Lurking in make shift crevice,
A tarantula, tucked in gently
Between bed sheets, Peaceful sleeping trouble.
Rocking rodeo, bouncing castle,
humpty dumpy, grinding pestle
Feeling threatened, it stung, he sprung,  she lunge
Again, he groan,  she moan; obviously, lost in ecstasy
She totally oblivious, as he grimaced...
Amidst his cataclysmic jerking, lethargic writhing
Two is a crowd... Three is company.
ADEOYA AJIBOLA
////////////////////////////////////////////////
MY GUY CLEAN YOUR EYE

Hehehehehehehehehe hmmm
While it is said Kenyan women get to keep two guys
it was rumoured Eritrean men should kiss mongamy goodbye
There must be some sort of weed in the air
For no one seems to care
Corruption is still on an all time high
Politicians no longer need to deny
Let the people cry
One day their tears will run dry
Let soprano singers sing bass
Let monkeys eat grass
Things would never be like before
The world is full of back doors
Lamps without oil
Guiding the sons of the soil
Caterpillars no longer certain if they would ever fly
Yet a voice whispered 'Rely'
Rely!!! ???
On whom? On what?? That voice should reply
For we hoped our answers would come from the sky
But someone tuned the sun to deep fry
So we kept our hope locked within
And trudged through this maze of sin
Where icebergs threaten
And Lighthouses beckon
But who do we trust?
The blind leading the lost?
Poverty for all at any cost
Yes someone definitely threw weed in the air
No need to despair
Your eye go soon clear!

ERHIO OBODO


////////////////////////////////////////////////////////////////
RE-LIE

Shower me not with
Such sweet sour emptiness
From your wagging tongue of lies
For this earth beneath my foot
Could be a sinking land for loot.

Like you did told our fathers
To drop their brains back home
And walk upon your shores empty headed
For you to replace their hollow heads with yours.

Your pot of lies never ceases to boil
Like when they sat around that round table
And you dished to them meals of deceit
While their bulging bellies replaced their heads.

I can see why we the children
Like Almajiris still run to you for grains.

If I shake my head
Like I was paying heed
While you try to beautify
The essence of being a tenant in my own house
And your firework makes a mockery of the fire-fly
We shall soon see which of them outlives the other.

We have always relied on you
Like we have always relied on our legs
To be as swift as that of the fastest antelope
We even murdered our own
On an ideology over blown.

Now you are back
With the storm in your hands
And fire in your mouth
To enshrine or to consume
Of what we have left of our toil

This time we didn’t go to you
But you have decided to come to us
With Larger or is it Largarde in your hand
Possibly to get us foolishly drunk
For this time we won’t accept a re-lie.

AYINLA MUYIDEEN
/////////////////////////////////////////////////////
A LETTER TO MY GUESTS

Cracking sounds
Heralds the early morning lights
As they awake from the mysteries of the night
Where night and day shook hands
In complete understanding
An agreement
From a time before history was born
Our children ran in cycles
Two’s and four’s
To keep the match
Through the stand still called time
Me, my siblings and cousins
Ran round our mothers who gave us life
Life we shared
Yes we were given to give
And we gave abundantly
I often wondered
How my siblings and cousins fared with their guests
For mine have given me
Heartbreaks,
Headaches,
Stomach upsets,
Enough trouble
To make their stay miserable
And even eject them
But I still stand tall
I still give them abundantly
But not for long
If they continue this way
I am hurting
Some of my guests are beginning to realize it
We need each other
We rely on the love we give each other
To blossom and flourish
I have always loved you
Like you love each other sometimes
Although you feel I treat you unfairly
When I’m hurting and react
I have always loved you more
Always reliable
Wake up
And stop hurting me
If you lose me
You will be lost  

IFEANYI OKWOSHA            
///////////////////////////////////////////
THIS YAM IS NOT GOOD



My mother relied on her intuition in matters, big and small.

And I trusted her advice; so when at age twelve, she

Patient eyed and keen as a tigress focused on its prey,

Looked at the groceries I had bought, picked up the yam

Saying; This yam is not good!



I believed her. This woman with a smirk on her face,

The face I wore when, in the eagerness of youth I

Rent an udara fruit still yet juvenile, lapping its juice,

Chewing its flesh as it slapped my palates in rebellion.

She looked at the tuber; a scratch here, two dents there

And proclaimed; This yam is not good!



She knew by heart, the right amount of achi

To achieve soup of smooth perfect thickness,

And the heart of men, like the contractor who,

Courting my father, came with his people to propose.

Obi ojo! She had said of the man, and spared my father

Great losses with the same face of absolute disapproval as

She had done when she said; This yam in not good!



It was so, on the day the letter came, a letter of promises

A bank offer my friends would give anything for, but

My mother, who somehow knew left from right and right from wrong

Said, frankly; Nne, this job is not for you!

She was right. But she didn’t speak when, with gifts of wine and yams

Nnamdi came visiting. My stomach tightened when I saw that face

In her silence, the smirk spoke to you, the demeanour she had bore

The day she said; This yam is not good!



You only now understand why she didn’t speak. When,

You knew that she knew, that you knew she did not approve.

Many years had to pass, before you learnt the trade of your ancestors.

You called your cousin, your voice resolute, to come take you away

Two sets of tired eyes stared at you. Your face, black and blue, felt no pain

Their hands fastened in yours. Enough was enough. You had learned,

Sadly, the hard way, Love is not blind, and did not need to be blinded by blows

You sucked your tongue and wore the demeanor your mother bore when

She’d said; This yam is not good.



This trade, done by mothers, as the women before your mother, to

Rely on their intuition, that compass that got them through the small and the big

To walk the bushes and know the path to follow, separate light and darkness in

Broad daylight and know, by heart, good and evil just as is.

You had learnt, known, the wisdom of those before you. You will teach your daughters

This truth, this gift, that with this compass, they shall recognize light and darkness

In broad daylight. So with eyes, though now tired, they will know, by heart.

Relying on their intuition, they will walk many a dangerous path unscathed, and

From afar, weigh a situation, look at a yam tuber and, wear the smirk my mother bore,

And like her, say, with certainty; This yam is not good! 
IFEANYI MBAH
//////////////////////////////
RELY
A poem is a made thing
A found thing, maybe even a foundling
It does not always act like the cold in the head that makes it
Impossible for any fire to warm us
As the Belle of Amherst experienced it.
It does not always feel as if the tops of our heads
were taken off.
It is not even always a Jeremiah like fire in the bones
as if God was speaking to and through the Poet.
Tried to make up a poem using book titles containing the word rely.
That did not wash, even after an appeal to Google
Or even to its incarnation as Alpha Bet.
This had to be a form of creation Ex Nihilo.
And so we are back to Faith which is relying on God
And to the exhortation not to rely on our own understanding.
Thus, begging the question and even the pardon of the great Exhorter.
On whom must we rely?
Reliance- a little boy learning to tie his laces
Saying in the process i will succeed and try
Inverting the order of his father’s mantra
Stumbling on a truth of gargantuan proportions.
Reliance- a small town in Ohio where all such small towns with
Such evocative names always seem to be found.
Or is that just in Toni Morrison's fiction?
And so back to rely.
For if we do not stand together as men; as people (we must be politically correct)
We shall surely hang together as fools (that has no gender distinctions)
No intellectual distinctions either, as a person
can be a PhD from Cambridge and a fool!
C. S. Lewis said that.
And we have seen that.
The Tower of Babel as a metaphor
not of cacophony but of possibility.
The various ages of man- not in a Shakespearean sense
but in an evoking of the history of the world
leading to this age of Technology, Industry and Moore's law.
Nobody or no thing self-made.
All coming up by way of reliance
Rely and collaborate- the defining buzzwords of our age.
Giving us Rolls Royce, Microsoft, Apple, and Hewlett Packard.
Explaining the self-styled Don and the boy from Bariga.
Public spat; public and private reconciliation!

ANDREW WHYTE
/////////////////////////////////////

A SOLEMN PROMISE

And this is
My solemn promise
The oath I seal
With a scarlet kiss,
A covenant
Your heart to please,
A pledge
Of your burdens to ease.

And this is
My solemn promise
To wipe the tears
Dripping from your eyes.
To bring upon your
Cloudy day
A wondrous sunrise
To restore upon your
Lovely face your perplexing
Smiles,
And finally lay down
My life as a perfect sacrifice.

And this is
My solemn promise
To walk you
Through the dark
To nurture you
So you'll never lack,
To spoil you
With utmost care
To fight your
Fiercest fear.
Have no doubt
I'll always be
There,
Never worry;
I'll always be near.
NATHANIEL INCREASE
//////////////////////////////////////////////////////////////
ABIMBOLA

Can you keep a secret??
How long can you keep it??
Can you not tell her
That while she slept
I took out time to count 80 tiny strands
In the upper lid of her left eye
Can you not tell her
That she is my Muse
And her absence here
Has rendered my quill useless.
Can you not tell her
That for pride's sake
I act as if I don't know her favourite colour
Her favourite food
Her favourite Author
And her favourite books.
Can you not tell her
That I sometimes see how she stares from across the room
When we are seated apart
How her stares burn when she see me flirting with other girls
Can you not tell her
That I know
That she quietly hopes I break up with Bae
With those "expert" relationship tip she gives
Can you not tell her
That her voice is terrible
When she sings,
And that smile on my face
Was birthed from pain in my eardrums.

Can you not tell her
That I love her dreads
In tiny locks
Like starving macaroni rolls
Can you not tell her
That I know how she scents
Like Shea butter on honey
And sometimes like expired baby powder and strawberry

I ask again
Can you keep a secret?
Can you not tell her
That on very dark days
Her smile with the alluring toothgap
Works wonders
Can you not tell her
That I can write of
Towns and cities.
Rivers and lakes
Sculptures and monuments
Poets and poetry
But when I try to write about her
Words fail me.

Can you not tell her
That I rely on her
Towering body frame
To ward off unseen word thieves
Lurking in dark corners
To snatch away my vocabulary bank

Can you not tell her
That she is beautiful
And that Helen of Troy and Cleopatra
Visited my dream
Demanding for her beauty tips

Can you not tell her
That the twinkle in her eyes
Has snatched shimmer
From the most precious of stones
And Da Vinci obviously had her in mind
While he painted Mona Lisa

But just in case you can't keep a secret
You can tell her
That if I were a Sailor
She'd be the anchor for my ship
If I were a quill
She'd be my ink
If I were Banga
She'd be my starch
And If I were Poetry
She'd be my words.
UGOCHUKWU EMEBIRIODO
///////////////////////////////////////////////
PACIFIST

Pacifist Ice
Caps mountains, to quell volcanic rocks
Bulwarks of the Mongolian highlands rising from the ground
And tucking back excited clouds straying towards them.
Pacifist
The clouds have assembled to enforce a détente
Now the Sun will sheath her sword
And not slay the Reindeer
For mocking her when the snow arrived with a blanket of frost
For the frost bit the grass
Killing her roots and blunting her blades
And the Reindeer jumped around
Pulling a sled
And a man cloaked in red
With beard mocking the snow
The green blanket shivered under the burden of whiteness
Craving the Sun
Praying the Sun
He heard
The Sun heard
And arrived with fiery eyes and a magic stick
And turned the snow to water
White land into green land
And the Reindeer he was to make a cake
Then the clouds arrived bearing peace gifts
They clung to themselves
Lumps of peace
Stitched together like the works of a tent maker
To save the Reindeer now sheltering at the house of the Mongols
Rumbling clouds keeping the peace
For the Sun to re-blade the grasses
The greens of the Mongolian plains
On which the Reindeer relies
To feed
To make milk
Which a woman cloaked in red harvests
To make cheese
Till the snow returns
And the hoary beard man cloaked in red arrives
With a sled and a bag
To his Reindeer friends
That pull him over the snow and the moon
While he sits on the sled shouting
Ho! Ho! Snow!


CHUKWUEMEKA DEUS NJOKU

/////////////////////////////////////////////////////////////
LOVING JUST HER

I love her everyday
Like mummies first breast milk
Like the world of creation
Ended after she was formed

Her skin reminds me
Of the pure colorless color of liquid
When its ice
Filled in a glass.
Makes ones throat dry at every glance.

Her voice kills everything odd
Her character mirror’s man
Her presence makes one complete

I want to dwell in her
But if I die today, before another dawn
Let me be buried in her feature
So we could meet again
To converse, in lingual
Only love can understand

I am lost, in the definition of her
I need her, to live longer than Methuselah.

Every new dawn bakes me another you
That rekindled my desire
To hold you on.
OSIGWE BENJAMIN
////////////////////////////////////////////////
THE SUSPECTS


Stones
grow feathers
fly blind
and crack castles of glass;
magnets acquire souls,
their new found emotions
a force of attraction.
To bear flesh
is not to be human,
there is nothing right of what is left.

Beware of pyrrhic victories,
run from those who kill ants
with sledge hammers.
I’ve always trusted others
but never had faith in myself.
I am first guilty
till if ever proven innocent.
I swear I didn’t shoot the deputy,
but when a silent fart goes off
in a rancorous room,
then everyone is a suspect.

Some sinners are more righteous than others,
they say every sin can be forgiven,
but the conscience is just a bad judge.
A placid kidney
and a limp,
two solid alibis
At the poetry court.
Poetry is not for detectives,
Poets do not detect-thieves.

They get drunk on their words,
empty with voracious thirst their gourds;
and the robber waits for that monkey time
When their hearts dance no more
to the rhythm of the clock’s chime;
he strikes like thunder
and is lost in a flash,
Curtain falls.
Inebriated gods
of lost vowels and missing alphabets
experience cold sweats;
We try to answer missed calls,
but after multiple orgasms, 
energy fails
and we are inclined to gnash.

The dreamer
didn’t warn,
we would have saved up stock.
After seven years of work,
the canker-worms came for the harvest.
Beware
     soul brother
                 beware;
take heed of poets who come to borrow ink.
I’ve learnt never again to close my eyes, 
especially when the pastor prays for tithes.
 SOONEST NATHANIEL
///////////////////////////
The frozen grounds in the cold winter
Would not deprive us our harvest
Even if the rain has refused to come
With our sweats we'd water these seeds
Until they are ripe enough to make us a feast
No matter what the world throws at us
We would make ourselves a feast
And eat to our hearts' content
The tears rolling down our
eyes
Are not for the countless souls buried beneath
Nor are they for the freshly bursted open skulls lying on the streets
These tears are for the freshly sliced onions
Aromatizing our meals with it's romantic scent
We would feast like our worries are no more
The pom! Pom! Pom!
Of pestle hitting mortar
Punishing slice after slice of yam
Would deafen our ears
To the repeated bomb blasts and gun shots in the air
We would feast oblivious of their hostility
The choking smoke from the frying palm oil
Would numb our senses
To the used-to-be dusty roads
Now blood flowing streams in front of our doors
We would make food instead of war
We would return every bullet shot with a dose of love
So when we come face to face with our biggest fears
Guns and bullets in hand ready to fire
We would hold out a morsel of akpu
And set before them a plate of Ofada rice with it's pepperish stew
We would feed them the earth black amala with ewedu
And the heavenly white Fura De Nunu as dessert
We would feed them till the beast in them is too heavy to stand
We would feed them with love
We would feed them until they are sane again
We would feed them until they'd rather eat than kill
AJIBOLA HABEEB
///////////////////////////////

NWA OKORO
Who will save you now Nwa Okoro?
Since you have no saviours
How old is this your soul
That it should swim in this river of agony?
The distraught earth weeps for you Nwa Okoro
The heavens look down on you in shame
Tears of widows tears the silence
Change has come to you unrehearsed
This silence is more deafening than death
It plunges your virgin lands into misery
And your virgins in to the slavery of conquerors
Nwa Okoro you choose whatever gods that suite you
Now they have flawlessly deserted you
You claimed you have no king
See how your sons are lost like Mufasa’s son
Like Mufasa you may never see them again.
CHISOM