Friday, 9 December 2016

POEMS READ AT LOUDTHOTZ POETRY OPEN READING SEASON 7 EPISODE 12 EXTRAS

AKEEM OYALOWO (WINNER POEM OF THE MONTH)

I STARTED DOING IT BIT BY BIT (POEM OF THE MONTH)
Tiny footsteps as if I’m dancing to a beat
Making it soft
Like a river caresses its shores
Telling you this is lifelong
That I am certainly sure
Nothing ever so pure, has ever been found
Patience has a syllabus
Including a chapter called whatever goes around comes around
Reaching a tipping point
Approaching edges, to stare at your fears in the face
Knowing you are human
Because you’ve experienced defeats
Rising
As a surprise,
As a means to disappoint
Those who confirmed you’re stuck at a dead end
Reaching a bend
And calling it a turning point
Putting the pieces back together
While accepting all of life’s task is solving riddles and puzzles
I have found you,
Stuck on the threshold of greatness
Willing to be the evidence
And then asking you to vote for me,
Allow me bear witness
Your smiles, your laughter
They are my strength, and they get me high
And being high is my weakness
So weak I’m tolerant of your faults
So high, I am focused on your vaults
That coven of riches
For which your beauty fronts
That bundle of goodness
Which seduces trust
That voice of yours, which dares
And confronts my guts
I’m doing it bit by bit
Not seen caressing your soul
But here I am at your feet
I am preempting your words
Because you are close enough to make whispers shy
I think always of you as a queen
Because your royalty is your twin
Walking so lightly, as if the winds provide buffer between your soles and the earth
Watching your beauty in deeds, realizing then that there’s soul in every classic art
I am doing this for the concrete, from a which a rose emerges
Doing it for a future, which others can only imagine

I am doing this for you
Such life in this love 
That qualifies you as the love of my life
Too much milk for a sour past
We desired a change of cast 
I’m doing this bit by bit
Words off my tongue, deeds off my heart
Nothing I can repeat
Something I hope to see to its end
But can never hope to finish
I am doing this bit by bit
Fetching water from the oceans
Because every day you need a bath
Showers of love for which joy is a catch
Never forgetting to say there’s more from where this comes
Daring you to see what happiness becomes
Seeing a smile on your face
Knowing it’s the symbol for triumph
You saying you’ve never been loved this way
Me, replying this is just for today
That’s there’s more tomorrow
Daily doses of sweetness from the beats of my heart
It has come to you in bits
Because it’s how we define forever…

AKEEM ADETAYO OYALOWO
//////////////////////////////

SPARE LIFETIME

Midnight!
The Missionary’s dawn bell tolls thrice
Who took away her god, you murmured
Burrowing deeper into the quilt
You tuned out her voice.

Until that fateful day
Funny, she also wanted what you did: 
An extra bit of bedtime
So she came a little later than sunrise.
                      
But someone’s got here first
And he said happy deathday to you
Cutting your heart out, you pleaded
Citing your affiliation by pedigree.

‘That ended on your apostasy day’ he said’
Before you were given the extra time.
Which you termed as infinity
After all, a tie always births a penalty

Why did you have to miss your only shot at life?
The grace period is ended,
Madam missionary arrived at dawn
This time wearing only a whistle

For she had drawn her robe of a cotton 
Taking a bow she said
This is your ninth live!
 ADIEU!

OYE LOLADE
////////////////////////
SECOND BASS
I really don't talk much,
let the walk do the talk, top notch
I reminisce on trying to climb up,
folks told me to go get a job,
so, I got one pushing a tow truck
On my kneels one day, I got stuck
trapped in a G-wagon, G in a horse... thought out the box, left the bandwagon
They say," once it pass, it's  past
Leave It behind, Let it go"
What they don't tell is your ass is behind and everywhere you go.
Now smiling... Like the
rain I got you wet, without a break of sweat
That's how we connect, it's bluetooth without internet. No, we not yet
intimate, that is just my intellect.

Give an impotent man a rifle
He gets an erection,
he cocks it... in his insolence
thumbs at his chest as though with a bible
Am leading the insurrection,he says "pork it"
Standing on thin ice with a shotgun
Boom! pull the trigger everything goes south...Zoom the aperture of
your mind's lenses,
The truth is neither glass or plastic.

I met the devil back in ninety six
breaking things I hope I won't have to fix
It all started when I got my first erection
No-one to help point it in the right direction
Demons are inherent,Angels were invented
You know what they say about life giving you lemons
I made demonades from each one of my demons
diabolic! don't you find that ironic.

Every time I free the blinds,I feel the darkness creep in,I gave my
life twice, twice I took it back in, it is almost like
the devil put a bounty on my head
I can only be a hero only if am dead
Hit the lowest low trying to get high
Y'all do what you got to do to get by
They say I back slide, I think I turned the next slide.

Do you want to watch the world burn? Why not let's grab a soda while
we at it...3D glasses,front row seats, mushroom clouds, rotten
tomatoes,
movie addicts, got to have it
Back to back box-office, it's a hit
Trust me, you don't see this one coming, Kamikaze...Damn! Popcorn is
missing, Pow! Hiroshima, Nagasaki, Bows... Kobayashi, catastrophic.



 Click...
"Hello"
"911!"
"What's your emergency?"
ADEOYA AJIBOLA
/////////////////////////////////////////////
CRUSADE INVADERS
More crimes for more times
More birth for more death
More vacuum for more spectrum
More vision for more diction
More arms for more humus
More sores for more scoops
More money for more friends
More penury for more mercury
More voices for more sources
More clothes for more loads
More brooms for more rooms
More condoms for more sex
More dreams for more teams
More wives with more knives
More children for more kindred
More homes for more domes
Can you have more to it

UBONG ABASI
/////////////////////////////////////////////
A VOICE COMMANDS ME: ‘CRY!’

A voice commands me: ‘Cry!’
And I answered, ‘What shall I cry?’
Of the hidden extras:
The withered grey hairs of wild flowers
And the poisoned honey of their breaths
And the world’s leadership totters, tethered in tatters
Dressed in tamed omnipotence
Standing solid on the grounds of false floors.
Don’t you see, vultures on the bodies of slain children?

A voice commands me: ‘Cry!’
And I answered, ‘What shall I cry?’
Of the forbidden extra-regular:
The fate of our blue planet in cauldron
And the nested belching queues of filths
And the haemorrhaging feet of mass anxieties
Seething in myths of supremacy
Gulping a vast cocktail of bruit as fruits
Don’t you see, squadron of iron eagles, inaugurating sky burials.

A voice commands me: ‘Cry!’
And I answered, ‘What shall I cry?’
Of the maddening extraction
The irredeemable skilled hunter of the online
And the awful ease of seduction and obsession
And drowning in the ocean of prints, inks and links
Laced with frenzies and pretences
Well adjusted to hell and the whirlpools of tired habits
Don’t you see? I can’t find a room for myself in myself.

A voice commands me: ‘Cry!’
And I answered, ‘What shall I cry?’
Of the frightening extraterritorial.
Africa is where my heart lies
And there, I know which scream is mine
And there, green grass withers, fresh flowers fades.
The drawbridge is a pretending wall
Yet the thorn is a thing of beauty, if it wears the rose.
Don’t you see, rumbling stars in the African sky?

Africa’s awakening! And I am running with the stars tonight!
MICHAEL ACHILE UMAMEH

////////////////////////////////////
“10,000 ERRORS”

When I thought I found love,
but it all was a mistake.
When I was beaten so badly by lukewarmness,
that I felt I was insane.

What is the concept of my reality?
Living (life) is slipping by, like the slippery little things in my palm.

I keep chasing the same vice, the chasm of my solace.
Accumulating the failures of this virtue.
Just pulse and think twice about a few, you would see the menace.

I sort one beauty, the one that makes sense to you,
but yet I cannot find it.
My mind is left with the paintings of the shadows of uncertainties.
I am lost in my own futurity.
Like searching for a needle in a bag of rice.

Strange it is.
Find me if you wish, I wonder my stability even,
for I hide in the disclosure of pleasure.

That evasive reality,
the fear of my obscurities.
This joke is no longer fiction.
My peace has met its war.

Living to die
But for more to come.
Like singing to dance
But for all to join.
More and more,
like the more that Oliver Twist won.


PANEL.

/////////////////////////////////
MAMA GAVE TOLA MORE
And I
always watched with
eyes
Veiled, my resent
Well tucked away
That extra
piece of meat
pat on the back
peck on the cheek
Loomed in my memory for
Years
For every little extra that
Mama did for Tola
Though little
Almost
Inconsequential
I grew
robust
With envy
I expanded with
green
Like a well fed cow
My memory bank
Rose
with deposits of
Mama’s extras
For
Tola

Tola the one with the perfect
Tenses and straight white teeth
The Tall pretty one
The preferred one
Perhaps mama dished out
More affection for Tola
Because…
KEMIBON
///////////////////////////////////////////
JOURNEYING WITHIN TIME

Some suns set before they rise
Some follow their natural course
I have seen some age gracefully
As some pray for theirs to set,
Others ask for extension.
The night that follows
Brings in its wake new light.

Day and night the fruit of earth’s elliptical dance,
Round its mother
A balancing act for the natives

The Sun never sets
The earth sets and resets
In its course round its mother
As evolution, dissolution and disintegration occurs
Ushering in new beginnings

How do you make out extra from that that stands still?
Within time
All is movement
All is given
Given to all
I will not ask for extra
Only grace to fulfill within this stand still

IFEANYI OKWOSHA        
/////////////////////////////////////////////////////
EXTRAS
Can you see me Morenikeji
Ignoring the Agberos
Assembled on the streets
With knives and tools
Hoping no one gets slaughtered
Can you see me?

Can you see me Oyinkansola
Jumping and then running
When the strong harmony
From a truck’s horn
Hits my ears
Can you see me?

Can you hear me Ifasan
When my thoughts
Are interrupted by the pain
In my tummy
Saying
“Agbe Ile Onitiju
you’re too hungry”
Can you hear me?

Can you hear me Omo Onimalu
Thinking of how good
Your meat smells
When you freshly cook it
At your family house
In the village
Before I bump into a pedestrian
On the walkway
Can you hear me?

Can you hear me Onifise
As I calmly apologise
To this pedestrian
Who out rightly refuses
To accept my apologies
And slaps me
On my face
Can you hear me?

Can you see me Adisa
As I take out my “protection”
In fear of the aftermath
Of this prickly encounter
With an equally troubled pedestrian
Can you see me?

Can you see me Iyanuoluwa
Sweating
As a market woman
Beckons to me
To carry her tomatoes
Can you see me?

Can you see me Bamidele
As I turn away
From this obstinate pedestrian,
With my cart eagerly
Touching the hard gravel
To Move on
to the market woman
As I greet her with my eyes
As though she’s my homecoming
Can you see me?

Can you hear me Aduke Ade
Screaming through my smile
Wondering why the Sun
Continues to hide its face
in disappointment
When no one can hear me
Can you hear me?
ABIOLA BONUOLA
//////////////////////////////////
PADDLE YOUR CANOE

Not all Oliver's ask for more
Not all Counts keep score
And not all Lecturers are a bore
All folks have unique strokes
To each opera its orchestra
Each era its drama
Each avenger his agenda
Each dogma its messiah
And each enigma its stigma
We all have phobias
Not everyone can ride a gondola
Nor do we all like pajamas or bananas
Or even iguanas
We all aren't madonnas
Neither do we all have diplomas
No one has a replica
So why all this fuss
This constant buzz
Why try to tame an anaconda
Or carry a gorilla
Asking for Extras
Extras!
In life's cinema
Full of  stanzas
Keep to your bars
Its yours not ours
 

ERHIO
/////////////////////////////////////
ORCHARDS OF YEMEN

Yemen,
Her men take pride in breaking
The hymen early
Twelve
Thirteen
Fourteen
Fifteen
Six teens with broken saucers
Drip water like over flowing cisterns
The strength of a single pestle
Hidden in the over flow of a Bubba
Uncoiling like an adder to strike a protrusion
Into the belly of a juvenile
And gift her a scholarship in the study of
Pain
And Tears
Maternity
And Mortality
The Nubian Sentry watches
Another prayer makes it into his book
Yah Allah
Dry the waters of their testes
These men
These wells will not be missed when their waters run dry
No one shall go to sea to fetch any waters
If only the likeness of their semen flows out there
Sanaa is the capital of a twin
A Blade
A double catastrophe
Drought kills the seed of the comb
And the seed of the womb
Stalks of maize and stalks of men
Stand on a broken road watching the hazy horizon
For hope to return
On prosthetics
Limping or crawling
But hope is the hostage of factions and foes
As another child is sown in the orchard of Tombstones.

CHUKWUEMEKA
////////////////////////////////////////
EXTRA EXTRA
Even extra extra's
Telling the breaking news
Of unaccountable catastrophes and erupting, effluvient volcanoes. The back page headlines telling that Arsenal lost again amongst the bigger front page extra's of Syria and Isis not Isis the goddess of Egypt and wife and mother of Osiris called Horus and even in some renderings Semiramis mother and wife of Nimrod. No not that Isis but the one of isil  and Boko Haram. Extra extra's talking of momentous events defining the contours of our lives. Presenting evidence that demands a verdict and evokes less than commensurate responses. Extra extra's so prevalent that now we suffer video overload and audio kwashiokor and walk back on the other side of the road like engaged priests and leaning Pharisees. And what shall we do now to be saved?

ANDREW WHYTE
///////////////////////////////////
THE EXTRAS
(The first prophecies from the priests of the gods on Nkwo market day)

This is for the extras in Oruku
“monsters” not to be talked about in Oruku
Let me tell you about them

This is for the extras in Oruku
The afflicted ones
Those left na uzo okpulo
Looking like an estranged couple

This is for the extras
Those who cannot afford to rest
Those who gather their tears in the dark
Turn it into a smile by day

This is for those who cannot go on
Those extras eji mejiputa uwa
Who in them there is no more power
But have to go on

This is for those ones you notice once in a while
Blended in like the colors of a tile
Those seen only by the coners of the eyes
That reveal the truth we tell ourselves that are lies

This is for those extras in Oruku
That hope has been wrest from their hearts
Those whose greatest are grotesque
Those that aspire to nothing

This is for the downtrodden in Oruku
Whose lives are thrown down and trodden
Who live lives chosen
Who dream only of seeing another day

This is for those who are holding on
Those who still stubbornly hang on
Those you will never hear their stories
Because they have lost their voices

This is for them
We the gods remember them
CHISOM
/////////////////////////////////////

THE ART
There is a knowing,
Sitting right on the bed
Of my mind,
Rocking my being,
Through my veins;
It beats my nerves
To smooth my fears.
No, I am not scared
To be weird,
Not afraid to stand out.
I play the extras to surpass,
Not the extras to wakapass,
But they are all like the heat;
Locked out
Of the wind of my arts.
I am too deep
For their deep,
I am too complex
For their crap.
Do not bother to know
If you can't understand,
For like begats like,
But take this
For it's true.
The knowledge of me,
Is as easy and true
As a blinked eyes.
CHRIS 'N' JOHN
/////////////////////////////
BE THE EAGLE

Eagles may not fly
In very turbulent storms
Like a huricane or whirlwind
Doesn't mean after the storm
They dont resume flight
Great men will face
Troubling times
But a retreat is not a pass
Or excuse to quit
Be like the eagle
Be the eagle

The eagle is audacious enough
To own the sky
Soaring as high as it can
It will only descend
To feed, rest or mate
But it's decsent is not permanent
It knows where it belongs
And where it belongs
Is not on the ground
Reptiles belong on the ground
Eagles feed on reptiles
Dont be a reptile
Be the eagle

Eagles have a the keenest of sight
They do not struggle in flight
So if you do not have a vision
Or keep flapping about
strugling to to stay mid air
Then you may be a goldcrest
Or the Red-cheeked cordon-bleu
But in the movie called nature
The eagle is the star
The others are extras
Making the eagle look good
Dont be one of the extras
Be the star
Be the eagle

OLAMIDE SANTOS
LARIOSTYLZ
THE WORDSMITH
/////////////////////
IT ENDS AS IF...

our daily stories beckon
a reflection of noon
never about the day
more like the  night
with or without the moon
the star is bound to move
a move understood only by the sun
 each day... a grace

it moves on,
time seeps by
then it gets dark
as if there was no day
whether it is today or morrow
the beauty faces cry faintly beneath
as if morning never came at all
every day we sleep ... snore
is but a rare gift from the top

people leave
other people die
people cry
every morning with a cock crow is an extra
we are all extras in our stories
for life ends as if it never began


Alayande Stephen T. 
/////////////////////////////////////////////////////

EXTRAS!
Planets align and re-align,
moon and stars govern dusk
And sun brakes forth with dawn.
That elements exist and are seen as beings with us;
our cosmic alive!
Extras!
Oceans roar, rivers gaily slap their course, lakes and ponds calmy or stilly tend their wards.
That rainfall foxtrots to their pita-patting at roof tops....
Extras!
Noise is rife for words said to be cheap is mortard in disconcerted sounds.
That music must play on for poetry and poets postulates its vitual for love or lust.
Creativity is hard for Calm and silence are priced. Yet meditation and brown study cuts our generation a benevolent slice...
Extras!
Man goes from prison to the throne, bread hawking to the list of super models.
That surrogate always takes his master' place...
Extras!
That misfits become key and acts of mistakes make and live in the pages of great and noble deeds...
Extras!.
FABIAN MCROB UGBECHIE
//////////////////////////////
DEAD THINGS
The first time he came into my room at night
He asked me if I was afraid of the dark
It was that night I learnt that
I should be more afraid of the things that I can see
Rather than those that I can’t see

When he placed his hands on my laps
The darkness unfurled into doorways
Like the muse of a dead poet looking for a poem
I wanted to scream
But I couldn’t find my voice in the darkness
that had over shadowed my being

Things that are not lost
are usually impossible to find
I was eight, with a voice still too light
And a mind still so bright
He said he wanted to show me the world

When he pulled down my trousers
I felt so many things inside of me die
When he parted my tiny legs with his rod
It was as though I swallowed all at once
The pain of the Israelites in a single pill

I was eight, I was naïve and he was my father
He told me to trust him, so he thrusted deeper
my body became a futuristic time machine
With which he travelled to an alternate universe
One where he was emperor riding dead things

You see, dead things do not die
They only weep and decay
The more the tears, the faster they rot
There are so many dead things inside of me
And I weep a lot.
AJIJOLA HABEEB
///////////////////////////////
THE EXTRAS

They come
in a second skin,
these passer byes,
ever seeking a second chance
at first place.
Drunk on caffeinated dreams,
fed fat on bowls of memories.

Wishing is a skill,
they wield it best,
but
only dogs know
how to be happy,
it is human
to believe
in that heaven
which we will never enter.

The lizard learns
from the chameleon
but
only cats know
how to be sleek,
only snakes know
 how to be sly,
these bats cannot comprehend
the value of their darkness.

Theirs is the other room,
built with accidental geometry.
They understand public grief
but must laugh at their father’s funeral.
And when all the mourners go home,
They rise and make love to silence.

The morning is for disguises,
they says peace is up for sale at the mall.
but for the extras,
their is a glass fence to scale.
Who will pick a pebble 
to unravel the riddle,
maybe these window-shoppers
can go in 
and buy themselves 
a chance 
a second chance 
at the first place.
SOONEST